Products related to Sound:
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The History of Sound
Soon to be a major movie starring Paul Mescal and Josh O’Connor'Exquisitely crafted, deeply imagined, exhilaratingly diverse, The History of Sound places Ben Shattuck firmly among the very finest of our storytellers' - Geraldine Brooks, New York Times bestselling author of Horse'Triumphant' The Times'Stellar' Daily Mail'Exceptionally accomplished' The Scotsman'Exquisite' Sunday PostIn twelve luminous stories set across three centuries, The History of Sound examines the unexpected ways the past returns to us and how love and loss are entwined and transformed over generations.In Ben Shattuck's ingenious collection, each story has a companion story, which contains a revelation about the previous, paired story.Mysteries and murders are revealed, history is refracted, and deep emotional connections are woven through characters and families. The haunting title story recalls the journey of two men who meet around a piano in a smoky, dim bar, only to spend a summer walking the Maine woods collecting folk songs in the shadow of the First World War, forever marked by the odyssey.Decades later, in another story, a woman discovers the wax cylinders recorded that fateful summer while cleaning out her new house in Maine.Shattuck’s inventive, exquisite stories transport readers from 1700s Nantucket to the contemporary woods of New Hampshire and beyond—into landscapes both enduring and unmistakably modern.Memories, artefacts, paintings, and journals resurface in surprising and poignant ways among evocative beaches, forests, and orchards, revealing the secrets, misunderstandings, and love that linger across centuries. Written with breathtaking humanity and humor, The History of Sound is a love letter to New England, a radiant conversation between past and present, and a moving meditation on the abiding search for home.
Price: 14.99 £ | Shipping*: 3.99 £ -
Sound Within Sound : A History of Radical Twentieth Century Composers
A radical new book by journalist, critic and BBC Radio 3 broadcaster Kate Molleson, which fundamentally changes the way we think about classical music and the musicians who made it on a global scale. 'Wonderful . . . This is a book of discovery that speaks of music as a life force, that urges us to live our lives through music. 'COSEY FANNI TUTTI'A marvellous book that opens our ears to sonic worlds that will enrich and delight us, whoever and wherever we are.'IAN McMILLAN'A clear-eyed, utterly fascinating exploration of outsiders in classical music.Molleson's excellent book challenges and enlightens.'SINÉAD GLEESONThis is the impassioned and exhilarating story of the composers who dared to challenge the conventional world of classical music in the twentieth century. Traversing the globe from Ethiopia and the Philippines to Mexico, Jerusalem, Russia and beyond, journalist, critic and BBC Radio 3 broadcaster Kate Molleson tells the stories of ten figures who altered the course of musical history, only to be sidelined and denied recognition during an era that systemically favoured certain sounds - and people - over others. A celebration of radical creativity rooted in ideas of protest, gender, race, ecology and resistance, Sound Within Sound is an energetic reappraisal of twentieth-century classical music that opens up the world far beyond its established centres, challenges stereotypical portrayals of the genre and shatters its traditional canon. 'Sound Within Sound is absolutely inspiring. Everyone who loves music should own this book.'CHARLOTTE HIGGINS'Introduces us to thrilling dreamers from the last century who believed that music could fundamentally - and disruptively - recalibrate our lives . . . Molleson's enthusiastic style and eye for character and place give them life.'JUDE ROGERS, OBSERVER'The vividness and passion of Molleson's portraits of these ten extraordinarily gifted, exasperating, headstrong individuals is wonderfully engaging.'DAILY TELEGRAPH
Price: 10.99 £ | Shipping*: 3.99 £ -
Remediating Sound : Repeatable Culture, YouTube and Music
Remediating Sound studies the phenomena of remixing, mashup and recomposition: forms of reuse and sampling that have come to characterise much of YouTube's audiovisual content.Through collaborative composition, collage and cover songs to reaction videos and political activism , users from diverse backgrounds have embraced the democratised space of YouTube to open up new and innovative forms of sonic creativity and push the boundaries of audiovisual possibilities.Observing the reciprocal flow of influence that runs between various online platforms, 12 chapters position YouTube as a central hub for the exploration of digital sound, music and the moving image.With special focus on aspects of networked creativity that remain overlooked in contemporary scholarship, including library music, memetic media, artificial intelligence, the sonic arts and music fandom, this volume offers interdisciplinary insight into contemporary audiovisual culture.
Price: 28.99 £ | Shipping*: 0.00 £ -
Meinl Percussion Sound Hole Designer Kalimba Sun
The Meinl Percussion Sound Hole Designer Kalimba in a Sun finish is an exquisite instrument that offers a quick and easy way to create beautiful melodies and find relaxation in music. This thumb piano is pre-tuned to the C Major scale making it suitable for all skill levels. With its chrome-plated steel keys you can pluck the notes in any order and they will always harmonise beautifully eliminating the pressure of hitting wrong notes. Crafted with an acacia wood body this Kalimba produces warm and soothing tones that resonate through its sound hole enhancing the overall sound quality. The keys are not only functional but also visually appealing as they are engraved with note information. Whats more the Meinl Percussion Sound Hole Designer Kalimba also comes complete with a travel case tuning hammer and a microfiber cleaning cloth making it easy to transport and maintain.
Price: 45.5 € | Shipping*: 0.00 €
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Why is my Turtle Beach X42 headset not producing any sound?
There could be several reasons why your Turtle Beach X42 headset is not producing any sound. First, check to make sure that the headset is properly connected to the audio source and that the volume is turned up. Additionally, ensure that the headset is charged or has fresh batteries if it is wireless. If the issue persists, there may be a problem with the headset's internal components, such as a faulty speaker or wiring. In this case, it may be necessary to contact Turtle Beach customer support for further assistance or consider getting the headset repaired or replaced.
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What origin or culture does the name Lucy sound like to you?
The name Lucy sounds like it could have English or Latin origins to me. It is a popular name in English-speaking countries and has been used for centuries. Additionally, "Lucy" is a derivative of the Latin name "Lucia," which means "light." This suggests a possible Latin or Roman cultural origin for the name.
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Why does the sound sound strange?
The sound may sound strange due to various reasons such as interference, distortion, or poor audio quality. Interference from other electronic devices or background noise can disrupt the sound waves, leading to a strange or distorted sound. Additionally, if the audio equipment is not functioning properly or if the sound is being transmitted over a low-quality medium, it can result in a strange sound. Lastly, if the sound is being played at an incorrect speed or pitch, it can also contribute to it sounding strange.
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Why does the sound of the Turtle Beach PX22 sometimes not work?
The sound on the Turtle Beach PX22 may sometimes not work due to various reasons such as loose connections, driver issues, or audio settings. It could also be caused by a faulty headset cable or a problem with the audio source. Troubleshooting steps like checking the connections, updating drivers, adjusting audio settings, or trying the headset on a different device can help identify and resolve the issue.
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Distillation of Sound : Dub and the Creation of Culture
Distillation of Sound focuses on the original music of Jamaica and how, through dub reggae, Jamaican culture was expanded and shifted. It will further the discussion on dub music, its importance to Jamaican culture, and its influence on the rest of the world. Dub music in Jamaica started in the early 1970s and by the end of the decade had influenced an entire population. The music began to use the rhythm track of a song as a song itself and spread quickly throughout the sound systems of the island. The importance of dub music and its influence on the music world frames the discussions in this new book.How dub travelled and distilled to three places in the world is covered in chapters focussing on the rise and spread of dub in New York City, in England and in Japan. Abbey discusses the separation between dub as a product and dub as an act of the engineer. Codifying these two elements, and tracing them, will allow for a more definitive approach to the culture and music of dub.To define it, and its surrounding elements, five of the first albums produced in the genre are discussed in three parameters that help to define and set up the culture of dub music.The albums discussed are Java, Java, Java, Java (Impact All Stars), Aquarius Dub (Herman Chin Loy), Blackboard Jungle Dub (Lee ‘Scratch’ Perry), The Message Dubwise (Prince Buster), King Tubbys Meets Rockers Uptown (Augustus Pablo). From the Preface:‘Jamaican music has always been about creating with what is at hand. Taking what is around you and making it into something great is the key to dub and Jamaican culture. This attitude is what this project is about. There is not enough written on the music that has inspired and influenced so many people around the world and this is an addition to the conversation. Dub music fixates on the engineer as a musician and, in doing so, allows for the creator to interact with echnology. Through this, the mixing board and other electronic elements become musical instruments. Now, these technologies are dominant in contemporary music and allow for people to easily create in their own homes. Without the engineers and musicians in the following work, these changes and shifts in technology and music would not have occurred. Dub is also a refiguring of already existing music. What this demonstrates is that music is ever evolving and can be shifted through technology. It also suggests that recorded music can always be modified and expanded upon. In our contemporary world, this modification is seen every day online and in people’s daily lives.Dub created a way to view these changes through music. The influence of technology in the development of culture is the key to this work and to our development in society. How technology can be modified, changed, and evolved through the interaction of the engineer is the focus of this project.This work will further the importance of dub music and culture in our society. The definition and distinction between version and dub is also an important element in the following work.Jamaican music needs to be discussed more for its influence and creative force in the entirety of the music world. The author is a professional musician with the groups J.Navarro & the Traitors, Detroit Riddim Crew, and 1592 and a producer of dub, reggae and ska, and a professor of English and literature at Oakland Community College in Michigan, USA. Genuine popular and academic appeal. Will appeal to students and scholars of music and Jamaican culture – and to academic libraries.Has genuine popular appeal to those with an interest in Jamaican culture and music.
Price: 22.00 £ | Shipping*: 3.99 £ -
Acoustic Territories, Second Edition : Sound Culture and Everyday Life
The revised edition of Acoustic Territories: Sound Culture and Everyday Life offers an expansive reading of auditory life.It provides a careful consideration of the performative dynamics inherent to sounding and listening, and discusses how sound studies may illuminate understandings of contemporary society.Combining research on urbanism, popular culture, street life and sonic technologies, Acoustic Territories opens up a range of critical perspectives--it challenges debates surrounding noise pollution and charts an "acoustic politics of space" by engaging auditory experience as found within particular cultural histories and related ideologies.Brandon LaBelle traces sound culture through a topographic structure: from underground territories to the home, and further, into the rhythms and vibrations of streets and neighborhoods, and finally to the sky itself as an arena of transmitted imaginaries. The new edition includes an additional "global territory" of the relational, positioning acoustics as a range of everyday practices that rework dominant tonalities.Questions of orientation and emplacement are critically raised, reframing listening as multi-modal and intrinsic to resistant socialities and what the author terms "acts of compositioning." The book is fully updated to include new relevant research and references surfacing since 2010, as well as a new preface to the second edition.Acoustic Territories continues to uncover the embedded tensions and potentialities inherent to sound as it exists in the everyday spaces around us.
Price: 27.99 £ | Shipping*: 0.00 £ -
Sound-on-sound
Price: 16.99 £ | Shipping*: 3.99 £ -
Noise : A Human History of Sound and Listening
Prehistoric drummers used natural acoustics to recreate natural sound.In classical Europe, orators turned the human voice into a lyrical instrument.In Buddhist temples, the icons' ears were exaggerated to represent their spiritual power. And in modern metropolises we are battered by the roar of sound that surrounds us.In the first narrative history of the subject which puts humans at its centre, and following the author's major BBC Radio 4 series Noise, acclaimed historian David Hendy describes the history of noise - which is also the history of listening.As he puts it: 'By thinking about sound and listening, I want to get closer to what it felt like to live in the past.'This unusual book reveals fascinating changes in how we have understood our fellow human beings and the world around us.For although we might see ourselves inhabiting a visual world, our lives are shaped by our need to hear and be heard.
Price: 12.99 £ | Shipping*: 3.99 £
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How does the sound sound over HDMI?
The sound over HDMI is typically of high quality, providing clear and crisp audio. HDMI supports high-definition audio formats such as Dolby TrueHD and DTS-HD Master Audio, allowing for immersive surround sound experiences. Additionally, HDMI carries both audio and video signals in a single cable, reducing clutter and simplifying connections. Overall, the sound over HDMI is reliable and delivers an excellent audio experience for home entertainment systems.
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Why does the laptop sound sound strange?
The laptop sound may sound strange due to a variety of reasons. It could be caused by a hardware issue such as a damaged speaker or audio jack, or a software issue such as outdated or corrupted audio drivers. Additionally, the sound may be affected by external factors such as interference from other electronic devices or physical obstructions blocking the speakers. It is important to troubleshoot and identify the specific cause in order to address the issue and improve the sound quality.
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How does the sound of electricity sound?
The sound of electricity can vary depending on the context. In some cases, it can produce a buzzing or humming sound, especially when passing through electrical wires or transformers. This sound is often described as a low, steady noise. In other cases, such as with electrical arcs or sparks, the sound can be more crackling or popping, resembling the sound of static electricity. Overall, the sound of electricity is often characterized by its high-pitched, energetic nature.
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Why is the sound interface producing faulty sound?
The sound interface may be producing faulty sound due to a variety of reasons. It could be a hardware issue such as a loose connection, damaged cables, or a malfunctioning sound card. It could also be a software issue such as outdated drivers, incompatible settings, or conflicting applications. Additionally, the problem could be related to the audio input or output devices themselves, such as a faulty microphone or speakers. Troubleshooting these potential causes can help identify and resolve the issue with the sound interface.
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