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Adventures in Theater History: Philadelphia
A collection of stories and fascinating facets of theater history in Philadelphia. From the founding of The Walnut Street Theatre and the beginning of the American circus to the world premiere performance of Arthur Miller’s play Death of a Salesman, and from censorship and opposition to riots and deadly fires, this engaging collection of short, focused narratives introduces the reader to the often overlooked and frequently underappreciated topic of the history of theater in Philadelphia, and offer a new way of approaching the wider history of this unique and important American city.The stories are populated by some of the many notable visitors to the city’s theaters, including Oscar Wilde, Edmund Kean, John Wilkes Booth, Sarah Bernhardt, Ayn Rand, Tennessee Williams, Zsa Zsa Gabor, Muhammad Ali, Paul Robeson and Joseph Papp;and the stories of heroes of local theater including Edwin Forrest, Pearl Bailey, Molly Picon, and Charles Fuller and Kevin Bacon.Also putting in appearances are the mostly forgotten, but no less fascinating Annie Kemp Bowler “the Original Stalacta,” May Manning Lillile the Quaker Cowgirl, and tennis champion William (“Big Bill”) Tilden.All together, these lively and vivid stories—many of them little-known or unexplored—serve to form a larger narrative of the role that theater has played, and continues to play, in shaping and reflecting the texture of life in an American city.
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Theater
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Capturing Culture : Traditional Theater in Contemporary Hausa Video Films
Traditional Theater in Contemporary Hausa Video Films.
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Open Book Theater Management – Ethical Theater Production
In the world of Fringe (or Off-Off Broadway) theatre, a strong debate has been raging for years - when you're producing a low/no-budget production, how on earth can you make it happen and still treat everyone involved in an open, honest and ethical manner?Where do you stand with profit-share productions when you can't afford to pay Union minimums?Open Book Theatre Management, along with its free online resources of instructional budget spreadsheets, is the first book ever to show you exactly how to mount a theatre production without losing either your integrity or your shirt.It is aimed at actors, directors and producers in the early stages of their careers; drama schools; and further and higher education establishments.The methodologies outlined in the book are transferable across all countries in which arts funding is difficult to secure.The time for going to the Establishment with the begging bowl is over.There need be no more excuses. The author will even show you how to start your own theatre company for only a tenner...
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Is classical theater the same as dramatic theater?
Classical theater and dramatic theater are not the same, although they share some similarities. Classical theater typically refers to the theater of ancient Greece and Rome, and often involves the performance of plays from that time period. Dramatic theater, on the other hand, is a broader term that encompasses a wide range of theatrical styles and periods, including classical theater but also modern and experimental forms. While classical theater is a subset of dramatic theater, the two terms are not interchangeable.
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How does Elizabethan theater differ from our modern theater?
Elizabethan theater differed from modern theater in several ways. Firstly, the performance spaces were very different, with Elizabethan theaters being open-air and modern theaters being enclosed. Additionally, the acting style in Elizabethan theater was more exaggerated and melodramatic, while modern theater tends to focus on more naturalistic performances. Finally, the subject matter and themes of Elizabethan theater often revolved around royalty and historical events, while modern theater explores a wider range of topics and perspectives.
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What is the difference between epic theater and classical theater?
Epic theater and classical theater are two distinct styles of theater with different approaches to storytelling and performance. Classical theater, such as Greek or Shakespearean drama, typically focuses on the portrayal of universal human experiences and emotions through the use of heightened language, dramatic conflict, and a clear narrative structure. In contrast, epic theater, developed by playwright Bertolt Brecht, seeks to provoke critical thinking and social awareness by breaking the illusion of reality and encouraging the audience to engage in a more analytical and reflective way. Epic theater often incorporates techniques such as direct address, non-linear storytelling, and the use of placards or projections to disrupt the traditional theatrical experience.
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What is expected in a presentation about the history of theater?
In a presentation about the history of theater, it is expected to cover the origins of theater, its development in different cultures and time periods, key movements and styles, influential playwrights and performers, and the impact of theater on society. The presentation should also include significant milestones in the evolution of theater, such as the development of different theatrical forms, the emergence of important theaters and performance spaces, and the role of theater in reflecting and shaping cultural and social norms. Additionally, the presentation should highlight how theater has evolved over time and its relevance in contemporary society.
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Sabbath's Theater
'A work of near heroic vitality and cunning' Sunday TelegraphAt sixty-four Mickey Sabbath is still defiantly antagonistic and exceedingly libidinous; sex is an obsession and a principle, an instrument of perpetual misrule in his daily existence.But after the death of his long-time mistress - an erotic free spirit whose great taste for the impermissible matches his own - Sabbath embarks on a turbulent journey into his past.Bereft and grieving, tormented by the ghosts of those who loved and hated him, he contrives a succession of farcical disasters that take him to the brink of madness and extinction... Winner of the National Book Award for Fiction
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Shakespeare Manga Theater
Over the course of his career, Osamu Tezuka adapted many of Shakespeare’s works.Shakespeare Manga Theater collects them into one volume. The book includes the following:* The Merchant of Venice (1959)* Robio and Robiette (from Astro Boy, 1965)* Macbeth (from Vampire “The Three Fortunetellers”, 1966)* Hamlet (from Rainbow Parakeet, 1981)* The Taming of the Shrew (from Rainbow Parakeet, 1981)* Othello (from Rainbow Parakeet, 1982)While this may sound like a collection of manga versions of classic plays, they would actually be better be described as quality examples of creative adaptation and storytelling, by a master of the craft. Shakespeare Manga Theater is sure to be popular not just with Tezuka fans, but also schools interested in presenting Shakespeare in a format that is easier for readers to engage with.
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Poetics of History : Rousseau and the Theater of Originary Mimesis
Rousseau’s opposition to the theater is well known: Far from purging the passions, it serves only to exacerbate them, and to render them hypocritical.But is it possible that Rousseau’s texts reveal a different conception of theatrical imitation, a more originary form of mimesis?Over and against Heidegger’s dismissal of Rousseau in the 1930s, and in the wake of classic readings by Jacques Derrida and Jean Starobinski, Lacoue-Labarthe asserts the deeply philosophical importance of Rousseau as a thinker who, without formalizing it as such, established a dialectical logic that would determine the future of philosophy: an originary theatricality arising from a dialectic between “nature” and its supplements. Beginning with a reading of Rousseau’s Discourse on Inequality, Lacoue-Labarthe brings out this dialectic in properly philosophical terms, revealing nothing less than a transcendental thinking of origins.For Rousseau, the origin has the form of a “scene”—that is, of theater.On this basis, Rousseau’s texts on the theater, especially the Letter to d’Alembert, emerge as an incisive interrogation of Aristotle’s Poetics.This can be read not in the false and conventional interpretation of this text that Rousseau had inherited, but rather in relation to its fundamental concepts, mimesis and katharsis, and in Rousseau’s interpretation of Greek theater itself.If for Rousseau mimesis is originary, a transcendental structure, katharsis is in turn the basis of a dialectical movement, an Aufhebung that will translate the word itself (for, as Lacoue-Labarthe reminds us, Aufheben translates katharein).By reversing the facilities of the Platonic critique, Rousseau inaugurates what we could call the philosophical theater of the future.
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Writing Musical Theater
This guide to the modern musical covers the entire process of creating a show, from finding and working out the initial idea, through to the ways in which writers can market a finished show and get it produced.For the interested theatregoer and writers, it is written in a lively and user-friendly style and illustrated with numerous examples.
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What are theater concerts?
Theater concerts are live musical performances that take place in a theater setting. They often feature a combination of theatrical elements such as storytelling, dramatic lighting, and stage design, along with the musical performance. Theater concerts can range from small, intimate shows to large-scale productions with elaborate sets and costumes. They provide a unique and immersive experience for the audience, blending the excitement of a live concert with the artistry of theater.
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What are the best seats in the movie theater? Important movie theater survey.
The best seats in a movie theater are typically in the center of the theater, about two-thirds of the way back from the screen. These seats offer the best balance of sound and picture quality, as well as a comfortable viewing angle. Additionally, seats near the aisle provide easy access for restroom breaks or concessions. It's important to consider the specific layout and screen size of each theater, as the best seats may vary depending on these factors.
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What is the difference between a folk theater and theater for the people?
Folk theater typically refers to traditional performances that are rooted in the cultural and historical traditions of a specific community or region. These performances often involve storytelling, music, dance, and rituals that have been passed down through generations. On the other hand, theater for the people is a more inclusive and contemporary form of theater that aims to address social issues, promote diversity, and engage with a broader audience. It often incorporates modern themes, styles, and techniques to create thought-provoking and accessible productions that resonate with a wide range of people.
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Was the theater performance embarrassing?
No, the theater performance was not embarrassing. The actors delivered their lines confidently and the audience was engaged throughout the show. The production was well-received and received positive feedback from those in attendance. Overall, it was a successful and enjoyable performance.
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