Products related to Cultural:
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Cultural Tourism
Cultural Tourism remains the only book to bridge the gap between cultural tourism and cultural and heritage management.The first edition illustrated how heritage and tourism goals can be integrated in a management and marketing framework to produce sustainable cultural tourism.The current edition takes this further to base the discussion of cultural tourism in the theory and practice of cultural and heritage management (CM and CHM), under the understanding that for tourism to thrive, a balanced approach to the resource base it uses must be maintained.An ‘umbrella approach’ to cultural tourism represents a unique feature of the book, proposing solutions to achieve an optimal outcome for all sectors.Reflecting the many important developments in the field this new edition has been completely revised and updated in the following ways: New content on increasingly relevant topics including sustainability, climate change, the threat of de-globalization, overtourism and social media. New sections on experience creation, accessibility and inclusivity, as well as expanded material on creative industries and new management challenges. New international case studies and tried-and-tested assignment exercises have been added to every chapter. Written by experts in both tourism and cultural heritage management, this book will enable professionals and students to gain a better understanding of their own and each other’s roles in achieving sustainable cultural tourism.It provides a blueprint for producing top-quality, long-term cultural tourism products.
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Zombies: A Cultural History : A Cultural History
Zombies: A Cultural History, now available in paperback, sifts materials from anthropology, folklore, travel writing, colonial histories, long-forgotten pulp literature, B-movies, medical history and cultural theory to give a definitive short introduction to the zombie, exploring the manifold meanings of this compelling, slow-moving yet relentless monster.
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Cultural Heritage and Tourism in Africa
Cultural Heritage and Tourism in Africa examines the multiple and diverse manifestations of cultural heritage-based tourism in Africa from a regional, social science, and sustainability perspective. This book delivers a comprehensive treatise on the interdependent concepts of cultural heritage and tourism.Heritage is one of the most pervasive tourism assets worldwide and lies at the foundations of tourism in many localities, including Africa.However, despite its salience, there has not been a systematic examination of Africa’s heritage resources, markets, policies, practices, successes, and challenges in a tourism framework, despite the continent’s immense heritage value.This book reviews the different types of heritages that pervade the cultural environment of Africa and comprises its vast heritagescapes.It also examines the increasing potential for the growth of heritage tourism throughout the entire continent.The contributions in this volume delve into current thinking about space and place and their effects on heritage, mobilities, globalization, colonialism and indigeneity, conflict, identity and nation-building, connections with other regions through migration and the slave trade, and a greater emphasis on the ordinary heritage of Africa, which has long been ignored by tourism scholars and industry representatives.The chapters herein are authored by Africa specialists, most being from Africa, offering a truly African perspective.The chapters are conceptually rigorous and empirically rich with examples from all regions of the African continent. This unparalleled interdisciplinary glimpse at cultural heritage and tourism in Africa delivers strong value and is a vital resource for all students and researchers of tourism, cultural studies, heritage studies, geography, anthropology, sociology, history, and global studies.
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Cultural Heritage and Tourism : An Introduction
Cultural heritage is one of the most important tourism resources in the world.This book provides a comprehensive theoretical overview and applied knowledge of the issues, practices, current debates, concepts and management concerns associated with cultural heritage-based tourism.The second edition has been updated to include timely and emerging topics such as geopolitics, conflict, solidarity tourism, overtourism and climate change.It also expands on important areas such as environmental change, technology, social media, heritage economics, Indigenous knowledge and co-created experiences.This edition includes up-to-date data, statistics, references, case material, figures and pedagogical tools.It remains an important and accessible text for undergraduate and postgraduate students of cultural and heritage tourism, cultural resource management, and museum management.
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Can European culture transfer its values to other cultural circles?
European culture has a long history of influencing and being influenced by other cultures, making it possible for its values to be transferred to other cultural circles. Through colonization, trade, and globalization, European values such as democracy, human rights, and individualism have spread to various parts of the world. However, the extent to which these values are adopted and integrated into other cultural circles can vary depending on factors such as historical context, local traditions, and societal norms. Ultimately, the transfer of European cultural values to other cultural circles is a complex and ongoing process that involves both adaptation and resistance.
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Is cultural diversity a prerequisite for understanding one's own culture?
Cultural diversity can provide valuable perspectives and insights that can enhance one's understanding of their own culture. By interacting with people from different cultural backgrounds, individuals can gain a deeper appreciation for their own cultural norms, values, and traditions. Exposure to diverse cultures can also challenge assumptions and biases, leading to a more critical and nuanced understanding of one's own cultural identity. However, while cultural diversity can be beneficial in this regard, it is not necessarily a prerequisite for understanding one's own culture, as individuals can also develop a strong sense of cultural identity through introspection, education, and engagement with their own community.
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Is cultural globalization a threat to the original culture of each country?
Cultural globalization can be seen as a threat to the original culture of each country in some ways. As global media and technology spread, there is a risk of homogenizing cultures and diluting the unique traditions and customs of each country. However, cultural globalization also provides an opportunity for the exchange and appreciation of diverse cultures, leading to a more interconnected and inclusive global society. It is important for countries to actively preserve and promote their original culture while also embracing the positive aspects of cultural globalization.
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What interests you the most about social, cultural, and economic history?
What interests me the most about social, cultural, and economic history is the interconnectedness of these three aspects of human society. I am fascinated by how social structures, cultural practices, and economic systems have evolved over time and influenced each other. Understanding the historical context of these interactions provides valuable insights into the development of human societies and the factors that have shaped our world today. Additionally, studying these histories helps to highlight the diversity of human experiences and the ways in which different groups have navigated and adapted to changing social, cultural, and economic landscapes.
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Cultural Revolution and Revolutionary Culture
In Cultural Revolution and Revolutionary Culture, Alessandro Russo presents a dramatic new reading of China's Cultural Revolution as a mass political experiment aimed at thoroughly reexamining the tenets of communism.Russo explores four critical phases of the Cultural Revolution, each with its own reworking of communist political subjectivity: the historical-theatrical “prologue” of 1965; Mao's attempts to shape the Cultural Revolution in 1965 and 1966; the movements and organizing between 1966 and 1968 and the factional divides that ended them; and the mass study campaigns from 1973 to 1976 and the unfinished attempt to evaluate the inadequacies of the political decade that brought the Revolution to a close.Among other topics, Russo shows how the dispute around the play Hai Rui Dismissed from Office was not the result of a Maoist conspiracy, but rather a series of intense and unresolved political and intellectual controversies.He also examines the Shanghai January Storm and the problematic foundation of the short-lived Shanghai Commune.By exploring these and other political-cultural moments of Chinese confrontations with communist principles, Russo overturns conventional wisdom about the Cultural Revolution.
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Advances in Cultural Tourism Research : Proceedings of the International Conference on Cultural Tourism Advances, June 2023, Belgium
This open access book pertains to the "International Conference on Cultural Tourism Advances," held on June 27 and 28, 2023, at KU Leuven, Belgium.It focuses on advancing understanding of the sustainable development potential of cultural tourism by examining successful policy interventions, emerging cultural tourism trends, advancements in visitor management systems, new business and governance models, and the opportunities arising from ICT in the twenty-first century.This book presents recent key advances and their significant outcomes in the domain of European Cultural Tourism.
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Ugliness : A Cultural History
In this riveting book Gretchen E. Henderson explores perceptions of ugliness through history, from ancient Roman feasts to medieval grotesque gargoyles, from Mary Shelley's monster cobbled from corpses to the Nazi Exhibition of Degenerate Art.Covering literature, art, music and even Uglydolls, Henderson reveals how ugliness has long posed a challenge to aesthetics and taste.Following ugly bodies and dismantling ugly senses across periods and continents, Ugliness: A Cultural History draws on a wealth of fields to cross cultures and times, delineating the changing map of ugliness as it charges the public imagination. Now available in paperback, this book is illustrated with a range of artefacts and offers a refreshing perspective that moves beyond the surface to ask what `ugly' truly is, even as its meaning continues to shift.
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Tennis : A Cultural History
This is the second edition of the highly acclaimed and bestselling comprehensive history of tennis which was the first truly scholarly history of any individual sport.Supported by a startling wealth of linguistic and documentary research, Gillmeister charts the global evolution of tennis from its origins in 12th century France where it emerged as a more peaceful variety of ribald football played in monasteries. By the 16th century, it had become the favourite pastime of the European aristocracy and had, in the wake of the Spanish conquistadors, even reached the Americas.The prestige of the game also led to its popularity among Renaissance poets and playwrights.After a gradual decline in the 18th and 19th centuries the medieval game revived in the 1870s in the form of lawn tennis.The new game dispensed with the expensive walled courts, discarded the complicated rules of the old game and was played in a natural setting.From England with its famous Wimbledon tournament it spread to the European continent and to the United States where the Davis Cup was born.Gillmeister debunks several firmly established myths about the history of the game and rare colour photographs and medieval and renaissance drawings generously adorn the text. A delight for the sports fan and the scholar alike, Tennis is the authoritative text on the sport.
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Cultural apple lower classifications
Cultural apple lower classifications refer to the categorization of apple varieties based on their cultural characteristics, such as flavor, texture, and intended use. These classifications help consumers and growers differentiate between different types of apples and choose the ones that best suit their preferences or needs. Some common cultural apple lower classifications include dessert apples, cooking apples, cider apples, and dual-purpose apples, each with distinct qualities that make them suitable for specific culinary purposes.
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Is batik cultural appropriation?
Batik is a traditional Indonesian textile art form that holds significant cultural and historical value. When individuals from outside of the Indonesian culture appropriate batik without understanding or respecting its cultural significance, it can be considered cultural appropriation. However, if people from other cultures engage with batik in a respectful and informed manner, such as by learning about its history and supporting the artisans who create it, it can be a form of cultural appreciation rather than appropriation. It is important to approach the use of batik with sensitivity and respect for its origins.
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What is cultural heterogeneity?
Cultural heterogeneity refers to the presence of diverse cultural elements within a society or community. This diversity can manifest in various ways, such as through differences in language, religion, customs, traditions, and values. Cultural heterogeneity can result from historical migration patterns, globalization, and the coexistence of multiple ethnic or racial groups within a given area. Embracing and understanding cultural heterogeneity can lead to a more inclusive and enriched society, as it allows for the exchange of ideas and perspectives from different cultural backgrounds.
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Is this cultural appropriation?
Without knowing the specific context or details of the situation, it is difficult to definitively say whether something is cultural appropriation. Cultural appropriation occurs when elements of a marginalized culture are adopted by members of a dominant culture without proper understanding or respect for the original culture. It is important to consider the power dynamics at play, the intentions behind the actions, and whether permission or credit was given to the original culture.
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